This was the first of two experiments with in-character automatic writing on occult history in the Flicker Street 'Universe' [a term I sometimes hesitate to use due to its ubiquitousness]. In this case the character was Chrome Genet, one of my favorite 'alter egoes'.This was performed on January 13, 2020, followed by the selfie included below. The second the photo was snapped, my dear friend Tim McLain rang my doorbell. I was already expecting him, but the timing of it certainly felt like a conjuring, or manifestation, had been wrought.
The second such piece has been unearthed and will appear here soon.
Enjoy.
Henry
Today's Flicker Street alchemy:
Extract from
“Notes on 'Rituala Majorum re Oblique' and What It Portends*”
Author Unknown **
Thee Masque of Self, an ocean of Flame
Thee Veil Sundering Time, a sun gone Black
Therein lies that Citadel of Darkness,
Thee Terminal Pointe,
Thee Sum of All Nightmare -
Thee Oblique.” ***
What we have learned over time (however measured), is that the energy comes in through angles... oblique angles most of all. Hence Thee Presence called 'Oblique'. It travels through oblique angles – often using oblique strategies. And not only does this occur “when the stars are right”, but when light is refracted in certain manners. This is why the half-caste Luca Stenoretti's film, called THE OBLIQUE (title suggested to him by his cousin and cinematographer Blasco Clerici), became itself the Working to summon Oblique.
Blasco's camera – his Magick Lantern – caught the light of the rarest Presence. When manifested on film, Oblique comes into This World from Its Own.
A proper summoning of Thee Presence Eos, the most insidious of Presences, entails much more. We say insidious, for it is a lengthy, subversive, viral process.... the Host must be subverted utterly, ineffably – but so slow as to be unglimpsed even by Third Eyes or by orbs as illuminating as the farthest spheres of molten plasma.
In the present Epoch of our subjective, linear, Workflow (“chronological time”), the smallest shudder, softest whisper is a years-span when thee holy fluid of Eos was transported to this planet, Earth. Humans and Exodesians alike reckoned thee seed of Eos entering this sphere in millenia. Twenty of Earthen millenia. Thee seed first spilt unto this soil almost immediately after, again, as Time is reckoned here.
Thee Holy Fluid was brought forth from Thee Holy Seed of Eos in its first form to manifest on this plane not long after. As humanity reckons timeflow, it was nearly the full score of millenia until thee fluid was properly diluted, extracted, and introduced into Earthen eco-systems outside of Exodesia, and thence into animal organisms native to Earth but beyond the fields of Exodesia (fields meaning places that yield growth, but also fields consisted of any form of energy plasma, including the electromagnetics governing Earth's cohesion and affecting all matter and energies therein, up to and encompassing the electromagnetic fields of the human/ animal brain and nervous systems (and including any but “purebred', i.e. First Iteration ('generation') Exodesians.
The first injection of thee fluid, dilutes and extracts, into Earthen human/ animal tissue occurred a tiny thread over 5 micro-spins of the Time Loom of the Earth Mosaic (Mt. Mosaic is named for this 'entity'), called here 'decades'. A thread later, the substance was synthesized utilizing the accrued and combined alchemical knowledge of two major Soft Conquerers – natives of stars designated 'Pisces' and 'Omega Ceti I' (These were elder races who traverse space, time, matter, and energy as does fluid through permeable membranes; these races tended to shared their own fluids with “less actualized” races). This synthesis was born of Pure Knowledge, yet bereft of True Wisdom, as Thee First Seed that brought forth Exodesia had been.
Exodesia had sprung, from the material loins and empirical energies of two Soft Conquerers co-mingling their fluids in ecstatic truce. 'Thee Truce', as it came to be called, spawned Exodesia and the Exodesian sub-race, sometimes derisively called by the less wise 'Prone Conquerers'. This pejorative was defined, by the human absurdist Anton Gamble, as “implying a non-consensual sensual act, when in fact twas an act by pact”. Gamble further stated, “Exodesia was no act of rage or rape, but a joyful detente. But nonetheless a one night stand, with no intent of marriage, and an offspring orphaned in a daycare/ madhouse light years from the progenitors' respective homes. If the daycare/ madhouse was Earth, however, to extend the metaphor, Exodesia was a greenhouse, whose caretakers kept their many eyes on what grew there, ensuring its survival, but not likely to win any cosmic parenting awards”.
The synthesized fluid/ seed/ extract (soon dubbed by one of its administrators as the “Trans-Morphic Somatic”) was injected, voluntarily and involuntarily, along the next several threads (or, as spoken here, 'over the next several years') into various organic lifeforms, principally the human, but also other Earthen animalia, usually mammalian. The ensuing genetic alterations in the recipients of the Somatic caused these recipients to be termed “Somatics”, or “Recombinants” (and later branded “TSD”s, due to Gamble's coinage of the term “Trans-Somatic Distortions” to describe the genetic alterations).
To further quote Gamble: “The Trans-Morphic Somatics were in essence Thee Second Seed borne of Thee Truce. But these children were left to fend for themselves on Madhouse Earth”.
* a rough translation by an Abstruse cultist, feebly attempting to emulate Latin and/ or Esperanto.
** These notes were compiled in the year 2003 AD or CE, Planet Earth (and translated into the English language in 2010 AD or CE), by an author of unknown genetic heritage (i.e. Human, TMS/Human, Exodesian, or otherwise; the shifting, widely inclusive language makes it difficult to discern).
*** These lines occur in the script of filmmaker Luca Stenoretti's work THE OBLIQUE. They are derived from an actual ritual inscription from ancient Exodesia. The quote was appended as an introduction to the Notes in 2011 AD/CE, most likely by someone other than the author of the Notes. The Original Author did however pen these notes within days of attending the world premiere of THE OBLIQUE in 2003.
All material Copyright 2020, 2022 George Henry Smathers Jr.
Illustration: "Thee Summoning 1.13.2020 (with Tim McLain )"
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